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The Moon

By Eva K. Anderson

Classical
Austria

Details

  • Rights:

  • Type:

    Participation Rights

  • Rights Holder:

    Global Rockstar

  • Status:

  • Date:

  • Contract Address:

    0xFB667...13aCF52

  • Token Standard:

    ERC1155

  • Blockchain:

    Polygon

  • Price:

    15.00 €

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Details

  • Rights:

  • Type:

    Participation Rights

  • Rights Holder:

    Global Rockstar

  • Status:

  • Date:

  • Contract Address:

    0xFB667...13aCF52

  • Token Standard:

    ERC1155

  • Blockchain:

    Polygon

  • Price:

    15.00 €

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Description

8 months ago, I have given birth to a beautiful girl. Every night, I sing a lullaby for her, but there is only one that always makes her fall asleep peacefully: It is "The Moon". Me and my husband have started some investigations in Spotify, and we discovered that there is a great market for lullabies, but unfortunately most of the Songs for babies that we have found were instrumentals. ​So we decided to go for a high-quality production of "The Moon", to offer all young mothers a peaceful sleep for their babies with the vocals of a loving mother. Be part of my Project!​

​Since we believe that there will always be a need for lullabies on Spotify, we believe that it is possible to reach 5 Mio streams on Spotify over the next 5 years. ​If we reach that goal, you'll make a profit of more than 7.000 € over the next 5 years with an investment of 300 €. But these revenues won't stop, since you will participate in the master rights for 70 years!

​My Song & Recording

​I am offering you the opportunity to invest in a high-quality recording of "The Moon". The austrian top-producer Harald Hanisch will be responsible for arrangements, recording, mix and mastering and I'll be singing it the way my baby loves it :)

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You get

  • Make a Pledge, and you'll receive this share of the Net Royalties from the exploitation of the Master rights for 70 years, when the funding goal of my Project is reached.

    You'll earn money every time the track is streamed, downloaded or generates other revenues (e.g. CD sales, licensing)

    ​Net Royalties: All incurring revenues from the commercial exploitation of the Master less taxes and less a firm handling charge of 10%  (including payment partner fees) and a firm distribution fee of 15%.
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About Eva K. Anderson

Eva K. Anderson had just turned two, when she started singing along to „The Carpenters“ songs. Was it luck or destiny, that Karen Carpenter’s voice stirred her first sensation of „feeling at home with music“ in the little girl?
 Her dream of becoming a famous singer was inspired by the Swedish rock band „Europe“ as a nine year watching their video „The Final Countdown“ for the very first time. With her eyes wide open she instantly knew for sure: „This is it!“
 At the age of twelve Eva K. Anderson’s live debut made her fall in love with singing live on stage in front of an enchanted audience.

Playing the right part?


Eva was just twelve when she took part in her first live appearance when her school class was working on a school play in which all the girls and boys could apply for their favourite role in „Mozart’s Magic Flute“. Eva was thrilled by the opportunity to sing on the school stage and practiced the Aria of the „Queen of the Night“ (the most difficult part of the opera) around-the-clock. Despite the attraction of this challenging song Eva was still not at ease with the ‚dark‘ role of the queen and decided to apply for the role of Princess „Pamina“ instead.
 Standing in front of her classmates realizing that the performances had to be mimed left her totally puzzled. Unsurprisingly, Eva did not end up playing the desired princess part – there were other more talented miming princesses in class.
 Everything turned out fine, when Eva was entrusted with the role of the narrator, the common thread of the entire performance. Eva was also the only participant to write her own parts and used the sound of her own voice – a first important step to becoming a singer/songwriter.


Various concerts as a swing, jazz and gospel singer were the norm for Eva K. Anderson’s teenage years. A personal highlight during that period was a 10-day-tour through China with a Jazz band. She certainly remembers her enthusiastic Chinese fans presenting her with flowers and little gifts and making her feel like a real pop star for the first time in her life.
 On leaving school Eva decided to go to university to study Business. During the final part of her studies, she stumbled across producer and songwriter Harald Hanisch and sang with him at his best friend’s wedding. Long story short: they fell in love and began to write pop songs together.
 One of Anderson/Hanisch’s first co-written songs was „Gone Digging“ commonly known as „Ich Lebe“ (German for „I’m alive“). Sung by Christina Stürmer, one of Austria’s most successful pop stars in Germany, Austria and Switzerland, the German version of the song remained the number one hit on the Austrian Charts for nine weeks. In spring 2005 the single rose to number four on the German Charts within three weeks and sold over 1.000.000 copies. For „Ich Lebe“ Eva K. Anderson received multiple platinum and gold awards.
 It was a profoundly overwhelming experience when she found herself in the middle of a crowd of 40.000 people with everybody singing her song: „Ich lebe, weil du mein Atem bist.“


In 2008 Eva K. Anderson set the stage for her career as a singer/songwriter and performed her debut-single „Fortune Teller“ at the Ö3-Soundcheck, Austria’s biggest band contest. The single reached # 7 on the Austrian Charts and stayed in the charts for 17 weeks. In spring 2009 the album „Fortune Teller“ was released and the second single „A Sound Of Silence“ reached # 7 and stayed in the charts for 21 weeks. The true story of Eva’s touching „no need for words“ encounter with an old Greek farmer’s wife enchanted many and remained on heavy radio rotation for many months.
 Later in 2009 Eva K. Anderson and „Fortune Teller“ were nominated for „best song“ and „best pop artist“ for the „Amadeus Award“, the Austrian „Grammies“.
 She has played numerous live concerts and TV-Shows, including performances at best selling author Paulo Coelho’s private party at „Melk Abbey“ and her participation at the Austrian pre-selection for the Eurovision Song Contest 2011 with her song „I Will Be Here“ live on TV.
 Anderson was given the Cultural Award 2011 by the city of Leoben and felt deeply honored by the appreciation of her home town.


Eva K. Anderson’s second album „Go With The Flow“ has been released in 2013.


Description

8 months ago, I have given birth to a beautiful girl. Every night, I sing a lullaby for her, but there is only one that always makes her fall asleep peacefully: It is "The Moon". Me and my husband have started some investigations in Spotify, and we discovered that there is a great market for lullabies, but unfortunately most of the Songs for babies that we have found were instrumentals. ​So we decided to go for a high-quality production of "The Moon", to offer all young mothers a peaceful sleep for their babies with the vocals of a loving mother. Be part of my Project!​

​Since we believe that there will always be a need for lullabies on Spotify, we believe that it is possible to reach 5 Mio streams on Spotify over the next 5 years. ​If we reach that goal, you'll make a profit of more than 7.000 € over the next 5 years with an investment of 300 €. But these revenues won't stop, since you will participate in the master rights for 70 years!

​My Song & Recording

​I am offering you the opportunity to invest in a high-quality recording of "The Moon". The austrian top-producer Harald Hanisch will be responsible for arrangements, recording, mix and mastering and I'll be singing it the way my baby loves it :)

About Eva K. Anderson

Eva K. Anderson had just turned two, when she started singing along to „The Carpenters“ songs. Was it luck or destiny, that Karen Carpenter’s voice stirred her first sensation of „feeling at home with music“ in the little girl?
 Her dream of becoming a famous singer was inspired by the Swedish rock band „Europe“ as a nine year watching their video „The Final Countdown“ for the very first time. With her eyes wide open she instantly knew for sure: „This is it!“
 At the age of twelve Eva K. Anderson’s live debut made her fall in love with singing live on stage in front of an enchanted audience.

Playing the right part?


Eva was just twelve when she took part in her first live appearance when her school class was working on a school play in which all the girls and boys could apply for their favourite role in „Mozart’s Magic Flute“. Eva was thrilled by the opportunity to sing on the school stage and practiced the Aria of the „Queen of the Night“ (the most difficult part of the opera) around-the-clock. Despite the attraction of this challenging song Eva was still not at ease with the ‚dark‘ role of the queen and decided to apply for the role of Princess „Pamina“ instead.
 Standing in front of her classmates realizing that the performances had to be mimed left her totally puzzled. Unsurprisingly, Eva did not end up playing the desired princess part – there were other more talented miming princesses in class.
 Everything turned out fine, when Eva was entrusted with the role of the narrator, the common thread of the entire performance. Eva was also the only participant to write her own parts and used the sound of her own voice – a first important step to becoming a singer/songwriter.


Various concerts as a swing, jazz and gospel singer were the norm for Eva K. Anderson’s teenage years. A personal highlight during that period was a 10-day-tour through China with a Jazz band. She certainly remembers her enthusiastic Chinese fans presenting her with flowers and little gifts and making her feel like a real pop star for the first time in her life.
 On leaving school Eva decided to go to university to study Business. During the final part of her studies, she stumbled across producer and songwriter Harald Hanisch and sang with him at his best friend’s wedding. Long story short: they fell in love and began to write pop songs together.
 One of Anderson/Hanisch’s first co-written songs was „Gone Digging“ commonly known as „Ich Lebe“ (German for „I’m alive“). Sung by Christina Stürmer, one of Austria’s most successful pop stars in Germany, Austria and Switzerland, the German version of the song remained the number one hit on the Austrian Charts for nine weeks. In spring 2005 the single rose to number four on the German Charts within three weeks and sold over 1.000.000 copies. For „Ich Lebe“ Eva K. Anderson received multiple platinum and gold awards.
 It was a profoundly overwhelming experience when she found herself in the middle of a crowd of 40.000 people with everybody singing her song: „Ich lebe, weil du mein Atem bist.“


In 2008 Eva K. Anderson set the stage for her career as a singer/songwriter and performed her debut-single „Fortune Teller“ at the Ö3-Soundcheck, Austria’s biggest band contest. The single reached # 7 on the Austrian Charts and stayed in the charts for 17 weeks. In spring 2009 the album „Fortune Teller“ was released and the second single „A Sound Of Silence“ reached # 7 and stayed in the charts for 21 weeks. The true story of Eva’s touching „no need for words“ encounter with an old Greek farmer’s wife enchanted many and remained on heavy radio rotation for many months.
 Later in 2009 Eva K. Anderson and „Fortune Teller“ were nominated for „best song“ and „best pop artist“ for the „Amadeus Award“, the Austrian „Grammies“.
 She has played numerous live concerts and TV-Shows, including performances at best selling author Paulo Coelho’s private party at „Melk Abbey“ and her participation at the Austrian pre-selection for the Eurovision Song Contest 2011 with her song „I Will Be Here“ live on TV.
 Anderson was given the Cultural Award 2011 by the city of Leoben and felt deeply honored by the appreciation of her home town.


Eva K. Anderson’s second album „Go With The Flow“ has been released in 2013.


You get

  • Make a Pledge, and you'll receive this share of the Net Royalties from the exploitation of the Master rights for 70 years, when the funding goal of my Project is reached.

    You'll earn money every time the track is streamed, downloaded or generates other revenues (e.g. CD sales, licensing)

    ​Net Royalties: All incurring revenues from the commercial exploitation of the Master less taxes and less a firm handling charge of 10%  (including payment partner fees) and a firm distribution fee of 15%.

“We envision a world where everyone benefits from the success of music: artists, creators, music rights owners and fans.”

Global Rockstar is a Fintech company & music rights marketplace which allows fans and retail investors to become shareholders in hit songs while offering artists and rights owners a new financing ecosystem via crowd-investing.

Fans and retail investors can purchase the rights to participate in revenues from newly created and already existing music rights, and secure the purchased rights including conjoined digital cover artwork animations as smart contracts in the blockchain. .

Disclaimer: In addition to offering a great opportunity, an investment in a song also entails risks. Nobody can know for sure if a song becomes a hit and you might not recoup your investment within the desired time frame, or in the worst case, at all. The history of music shows: While a big majority or releases do not even recoup their production costs, one becomes a huge hit. Therefore, we advise splitting your investments into several opportunities.

Investors are aware, that the concrete investments is no savings product and that they bear the risk to lose this invested money partially, in total or that they potentially do not earn a return on their investment.

Investors are also aware that the investment is not secured through a security instrument or an official deposit protection system. For further information, please read the risk notice contained in the “Informationsblatt für Anleger” (for Austrians only).